Working out a few new things for Empty Cage Quartet‘s three-day residency at Montalvo Arts Center this week. This will be the first of the third-generation Gravity compositions, utilizing only non-transposing gravity points (the longer pitch sets in the square boxes). These sets indicate two distinct intervallic relationships both above and below the central pitch ‘B’. The pitch and rhythmic material are all based on permutations of the numbers 11-11-11.
This piece is essentially a “tuning element” that will set up a harmonic space to be explored in the next few compositions.
Below are some photos from recent Empty Cage Quartet sightings in the Pacific Northwest. After discussing our music for theory/composition students at the Art Institute of Seattle, we played a set at the Chapel Performance Space on the opening night of the 2011 Is That Jazz? Festival. This is an amazing multi-day event, now in it’s third year, that brings together a stellar lineup of creative musicians from the Northwest and beyond. We were certainly honored to take part. The following day consisted mainly of rehearsal in preparation for a recording session at Jack Straw Studio, where we made our first CD waaay back in 2003. We recorded all of the new music from the Montalvo/SoCal Tour last Fall – stay tuned for updates as this project progresses…
Some pics below from recent Empty Cage Quartet sightings at the Montalvo Arts Center (we took over the composition studios for four days to develop two sets of brand new material), our workshop with jazz studies students at CSU Bakersfield, and a long overdue return to Los Angeles with a performance at Royal T sponsored by Angel City Arts:
Some pics above (and video below) from the Empty Cage Quartet double CD release concert at The Stone in New York City, April 17, 2010 (click here for the gig announcement + promo that was posted previously). We had a great time, an intense 3-hour rehearsal of new music, and then a lovely walk around Greenwich Village before the show. The Stone was full nearly to capacity, and it was great to see so many friends and supporters come out. Thanks to Tiflin and Mike Baggetta for the photos.
Celebrating the release of two new CDs – Gravity on Lisbon-based Clean Feed Records and Take Care of Floating on the French label Rude Awakening Présente, the Empty Cage Quartet takes the stage next Saturday, April 17 at the world headquarters for creative and improvisational music, The Stone in New York City.
This event (and all of April at the Stone) is curated by the eminent Seattle-based pianist and composer Wayne Horvitz and his wife, pianist Robin Holcomb. We’re grateful to both of them for their gracious support.
We hit at 10pm, admission is $10 at the door, students age 13-19 are $5.
2008 was a productive year for the Empty Cage Quartet. During the summer we spent two weeks in Montpellier, France where, with support from a Chamber Music America French-American Cultural Exchange grant, we collaborated with the brilliant French duo of Aurélien Besnard (clarinets) and Patrice Soletti (guitar) on a series of rehearsals and performances of original new music for the sextet, culminating in a three-day recording session at Studio Lakanal in Montpellier. The result of that collaboration is the new recording Take Care of Floating, recently released in Europe on the Rude Awakening label.
Despite limited time and a language barrier that was sometimes problematic, Aurélien and Patrice were an immediate and natural fit with our quartet, and these sessions forge a pretty fascinating union of European free improvisation with American jazz-inspired creative music. While we were in France I documented the collaboration in a fairly extensive photo blog that is archived here and here.
Tech-savvy listeners will appreciate the fact that this CD is being released with two distinct mixes embedded on the disc – one engineered specifically for traditional hi-fi stereo systems, and another that is optimized for mp3 listening (the mp3 files appear in a separate folder when the disc is inserted into a computer drive). This innovative solution to the nagging problem of digital audio fidelity is the result of a process that was created by engineer Pierre Vandewaeter at Studio Lakanal.
Take Care of Floating is available now on the Rude Awakening website, and you can listen to an exclusive preview at Last.fm. The album is scheduled for US release shortly, and will be available on iTunes, eMusic etc. soon after.
Following the France trip, in September of last year we spent a week on the East Coast, giving performances at Bennington College in Vermont, the Sanctuary for Independent Media in Troy, NY and in Manhattan where we performed a concert that was sponsored jointly by the annual Clean Feed Festival and the Festival of New Trumpet (FONT) Music. Directly following these performances we hunkered down for two days at Park West Studio in Brooklyn to record two new extended works – the Tzolkien series by Jason Mears and my own first series of Gravitycompositions. That recording is out now on Lisbon-based Clean Feed Records. Here is the official press release:
Gravity is the new release by the Empty Cage Quartet, a group that The Wire magazine has called “one of the best things in jazz to emerge in the new millennium.” Saxophonist Jason Mears, trumpeter Kris Tiner, bassist Ivan Johnson and percussionist Paul Kikuchi are featured here in one of their most focused and exciting performances on record. The music is comprised of two extended compositions that incorporate improvisational systems based on harmonic palindromes and melodic sequences derived from the cycles of the Mayan calendar. Although these musicians are well-schooled in contemporary and experimental methods of composition, there is nothing overtly intellectual or academic about the musical result. This band is equally at home whether navigating the intricacies of modern chamber music, pounding out a funky groove, or blazing through waves of freebop energy. And they do it all with a bold intensity that is well-honed from years of touring and performing together. This is music that forges a rare union of numerological complexity and visceral groove, brain and guts. And that’s what makes this band so special – their music continues to expand and deepen with each new release, reaching toward, in the words of one critic, an “urban folk music of the future.”
And here’s an early review (a good one, thankfully!), by Troy Collins at All About Jazz.
We are planning several CD release concerts (possibly a full-on tour) for early in 2010. Keep an eye on this site for updates, or become a fan of the Empty Cage Quartet on Facebook, or follow us on Twitter.
