Kris Tiner

trumpeter, composer, improviser
Posts Tagged ‘empty cage’

Empty Cage Quartet NYC Recap

Some pics above (and video below) from the Empty Cage Quartet double CD release concert at The Stone in New York City, April 17, 2010 (click here for the gig announcement + promo that was posted previously). We had a great time, an intense 3-hour rehearsal of new music, and then a lovely walk around Greenwich Village before the show. The Stone was full nearly to capacity, and it was great to see so many friends and supporters come out. Thanks to Tiflin and Mike Baggetta for the photos.


Empty Cage Quartet at The Stone

Celebrating the release of two new CDsGravity on Lisbon-based Clean Feed Records and Take Care of Floating on the French label Rude Awakening Présente, the Empty Cage Quartet takes the stage next Saturday, April 17 at the world headquarters for creative and improvisational music, The Stone in New York City.

This event (and all of April at the Stone) is curated by the eminent Seattle-based pianist and composer Wayne Horvitz and his wife, pianist Robin Holcomb. We’re grateful to both of them for their gracious support.

We hit at 10pm, admission is $10 at the door, students age 13-19 are $5.

Click here for the event page on Facebook.

Concert preview in Time Out New York.

Two New CDs Out Now

Sextet CDs Arrive

2008 was a productive year for the Empty Cage Quartet. During the summer we spent two weeks in Montpellier, France where, with support from a Chamber Music America French-American Cultural Exchange grant, we collaborated with the brilliant French duo of Aurélien Besnard (clarinets) and Patrice Soletti (guitar) on a series of rehearsals and performances of original new music for the sextet, culminating in a three-day recording session at Studio Lakanal in Montpellier. The result of that collaboration is the new recording Take Care of Floating, recently released in Europe on the Rude Awakening label.

Despite limited time and a language barrier that was sometimes problematic, Aurélien and Patrice were an immediate and natural fit with our quartet, and these sessions forge a pretty fascinating union of European free improvisation with American jazz-inspired creative music. While we were in France I documented the collaboration in a fairly extensive photo blog that is archived here and here.

Tech-savvy listeners will appreciate the fact that this CD is being released with two distinct mixes embedded on the disc – one engineered specifically for traditional hi-fi stereo systems, and another that is optimized for mp3 listening (the mp3 files appear in a separate folder when the disc is inserted into a computer drive). This innovative solution to the nagging problem of digital audio fidelity is the result of a process that was created by engineer Pierre Vandewaeter at Studio Lakanal.

Take Care of Floating is available now on the Rude Awakening website, and you can listen to an exclusive preview at Last.fm. The album is scheduled for US release shortly, and will be available on iTunes, eMusic etc. soon after.

Gravity CDs Arrive

Gravity No. 1: Section 4 by kristiner

Following the France trip, in September of last year we spent a week on the East Coast, giving performances at Bennington College in Vermont, the Sanctuary for Independent Media in Troy, NY and in Manhattan where we performed a concert that was sponsored jointly by the annual Clean Feed Festival and the Festival of New Trumpet (FONT) Music. Directly following these performances we hunkered down for two days at Park West Studio in Brooklyn to record two new extended works – the Tzolkien series by Jason Mears and my own first series of Gravity compositions. That recording is out now on Lisbon-based Clean Feed Records. Here is the official press release:

Gravity is the new release by the Empty Cage Quartet, a group that The Wire magazine has called “one of the best things in jazz to emerge in the new millennium.” Saxophonist Jason Mears, trumpeter Kris Tiner, bassist Ivan Johnson and percussionist Paul Kikuchi are featured here in one of their most focused and exciting performances on record. The music is comprised of two extended compositions that incorporate improvisational systems based on harmonic palindromes and melodic sequences derived from the cycles of the Mayan calendar. Although these musicians are well-schooled in contemporary and experimental methods of composition, there is nothing overtly intellectual or academic about the musical result. This band is equally at home whether navigating the intricacies of modern chamber music, pounding out a funky groove, or blazing through waves of freebop energy. And they do it all with a bold intensity that is well-honed from years of touring and performing together. This is music that forges a rare union of numerological complexity and visceral groove, brain and guts. And that’s what makes this band so special – their music continues to expand and deepen with each new release, reaching toward, in the words of one critic, an “urban folk music of the future.”

And here’s an early review (a good one, thankfully!), by Troy Collins at All About Jazz.

We are planning several CD release concerts (possibly a full-on tour) for early in 2010. Keep an eye on this site for updates, or become a fan of the Empty Cage Quartet on Facebook, or follow us on Twitter.

Gravity CD Art Revealed

Empty Cage Quartet: Gravity is due out very soon on Clean Feed Records. Here is a peek at the CD art, from the OoperLooper series by Kio Griffith. Design/layout by Travassos:

Gravity

Jazz Bakery

jazzbak

Empty Cage Quartet at the Jazz Bakery, Los Angeles, May 25, 2009 | Read more…

(Photo by Allen Glass)

Pharoah’s Den

pharoah's den

Empty Cage Quartet in Bakersfield and Riverside, May 22-23, 2009 | Read more…

Video from the performance, featuring live projections by VJFranzK:

Stratostrophic Reviewed

stratostrophic

Read more…

Gravity No. 1

Empty Cage Quartet records in Brooklyn, NY, September, 2008

Empty Cage Quartet records in Brooklyn, NY, September, 2008

Gravity No. 1 is an 11-part open-instrumentation composition that was written in 2007. It was the subject of a presentation at the 2nd Annual Conference of the International Society for Improvised Music at Northwestern University in December, 2007, and funded in part by a Subito quick advancement grant from the American Composers Forum.

Subito quick advancement grant ($1,500) from the American Composers Forum’s Los Angeles
and San Francisco Bay Area Chapters

The composition was recorded in New York City by the Empty Cage Quartet in September, 2008. That recording (which is excerpted below) will be featured on an upcoming CD on Clean Feed Records.

Gravity No. 1 is the first in a series of compositions that examine my concept of gravity points. This system provides a method of selecting pitch and harmonic material via a conception of symmetrical intervallic relationships in which prescribed intervals above a given frequency are duplicated as a “mirror image” below that frequency. The notation is borrowed in part from musical set theory, where semitones away from a central pitch ‘0’ are numbered 1, 2, 3, etc. to 11 (the major seventh interval) and then the series starts over again.

In this composition the written material is designed to establish a systemic structure from which emergent zones of expanded group interaction become possible as new connections are discovered during an improvised performance (improvisation here having to do with the selection of material from the score as well as personal extemporization). The goal is to learn to channel temporary states of spontaneous musical activity into solidified sound-structures that are either derived from the composition or arrived at via the improvisation. As each new performance builds upon the last, these structures can be analyzed, catalogued and mapped, and the development of an ensemble consciousness can be measured against the decreasing degree of dependence upon the written material.

Download PDF: Gravity No. 1 (score + composition notes)

Excerpt – Gravity No. 1: Section 4

Gravity No. 1: Section 4 by kristiner

Creative Commons License

Park West Session

studio

Empty Cage Quartet records again for Clean Feed Records at Park West Studios in Brooklyn, September, 2008 | Read more…

Empty Cage Quartet in NYC

cffest

Empty Cage Quartet tours the East Coast, plays Clean Feed Festival/FONT Music, September, 2008 | Read more…

Empty Cage Quartet in France

ce soir

Empty Cage Quartet tour and CD recording (supported by a CMA FACE grant) in France, May-June, 2008 | Extensive photo-blogging here and here

Don’t Hesitate to Change Your Mind

percussion

Kikuchi's percussion/electronics setup for the Stratostrophic session

Don’t Hesitate to Change Your Mind was written for the Empty Cage Quartet in 2006. It was premiered and recorded in Los Angeles in July, 2006 and released in 2007 on the CD Stratostrophic (Clean Feed Records CF103) – that recording is embedded below. A three-part video from the premiere performance at Cafe Metropol in Los Angeles is posted on YouTube: part 1, part 2, part 3.

Originally the composition was designed to feature the acoustic quartet plus two overdubbed tracks of electronics: one to process the percussion and another for the horns. Once the music began in the studio, however, it became clear that drummer Paul Kikuchi’s immensely gorgeous sound palette of drums, gongs, metal bowls, and amplified hand-made percussion instruments with applied electronic effects (ring modulator, delay, etc) were enough to supply all of the “extra” sound that was needed to make the composition work. There are at least two channels (panned L-R) of Paul’s electronics in the final mix (in addition to his acoustic percussion); in some parts a third channel of electronics (panned center) was added to create a more dense sonic field.

The parts for the acoustic instruments are based on several permutations of phrases inspired (rather indirectly) by Woody Guthrie songs. Periodic thematic sections for the full ensemble give way to several instances of structured improvisation for different instrumental configurations within the quartet.

Download PDF: Don’t Hesitate to Change Your Mind (score + composition notes)

Excerpt – Don’t Hesitate to Change Your Mind

Don’t Hesitate to Change Your Mind by kristiner

Creative Commons License